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PIERCING AND PENETRATION: BODY ARTS OF THE UNANGAN, ALUTIIQ, AND CHUGACH OF ALASKABy Lars Krutak
Despite the fact that it has been over 250 years since Steller's observation, not one significant study focusing upon the traditional body piercing of the Aleuts exists. This seems strange because nowhere else in the world can we find such a long and detailed record of piercing art representing spiritual beliefs and hunting practices across such a vast and little-known region. For the inhabitants of these windswept islands, labrets, piercings, and tattoos were symbolically tied to the most sacred realms of cultural experience. Body art was created not only to lure, please, and honor the spirits of animals; it also increased the social status, spiritual power, and beauty of the adorned. History of Piercing in the Aleutian Archipelago and BeyondStretching 1,500 miles from Kamchatka, Russia to the Alaska Peninsula, the Aleutian archipelago has been inhabited for about 7000 years. Traditionally, the term "Aleut" was used by Russian fur-traders to describe the indigenous peoples they met. Today, the Unangan (who speak the Aleut language), Alutiiq (Kodiak Islanders), and the Chugach of Prince William Sound see themselves as distinct from one another culturally and linguistically and designate themselves accordingly. With the invasion of the Russians in the 18th century, each group was gradually enslaved and organized into a force to labor for the Russian fur-based empire. Besides the dramatic decline in populations due to the introduction of foreign diseases, the indigenous cultures were disrupted to the point where many traditional practices almost disappeared by the time of the American occupations in the mid-19th century. Whether fueled by the Russian distaste of the "hideous" customs of tattoo and piercing or the Christian missionary's efforts to eradicate aspects of dress, grooming, and ritual they found "deplorable" and "savage," body piercing, labrets and tattoos were rarely seen after 1820. Nosepins
Ear Ornaments
Labrets
Biological Dimensions Obviously, these practices signalled a very important life event - permanent incorporation into a well-defined "marked" group of mature adults. Bodily modification was a visual cue by which individuals could evaluate one another, especially if placed on the face. This was particularly important in cultures where disease and pathogen prevalence was high, since those individuals who survived these painful and infective procedures attracted more husbands and wives. In a study of 186 societies that practiced polygamy, like the traditional Aleut, Low found that men who scarified themselves were likely to acquire more than one wife. Ludvico and Kurland concluded in a 1995 study that tattooing had the same effect, "because such women are assumed to be more willing to endure pain to please their lover and to cope successfully with the pain of childbirth." Of course, it has also been shown that in areas of the world where resources are limited deceiving another individual, or even deceiving oneself by altering your personal appearance, could serve to heighten an individual's perceived self-confidence and self-esteem, and duly impress his or her competitors. Symbolic DimensionsBecause the Aleut used a variety of materials in plugging their orifices, it can be assumed that particular labrets, noserings, and earrings were worn at particular times or during specific rituals. Langsdorff stated that the Unalaska Islanders, "on solemn occasions, dances, and festivals, they fasten strings of glass beads to the ends of pieces of wood" bored into the nostrils. Levashev, who visited Unalaska in 1769, noted a similar observation although "on gala occasions and more often in war they hang between the inserted 'teeth' of the lip beads and amber." As noted, many of the ornaments worn by the Aleut were made from the bone, ivory, and whiskers of specific animals: most notably eagles, walrus, and sea lions. The concept of transformation - men and women into animals, animals into men, and animals into animals - permeated all aspects of life among traditional Aleut cultures. Eagles were creatures linked to the sun and their beaks not only represented the power of predation and killing but also stood for the male procreative power. Their feathers and bones were used for ceremonial and magical purposes and protected the dead on their journey to the afterlife. The speed, cunning, and accuracy of these birds were emulated by Aleut hunters who with their beak-like hunting visor, decorated with carved ivory "wings" and a "tail" of sea lion whiskers, became transformed into a powerful bird of prey. The hunter's harpoon magically became a talon and bore sculptural forms of a toothy and fanged wolf-like creature that assisted in capturing game. Ivory labrets mimicked the white spots at each side of a killer whale's mouth or of the tusks of the walrus - a dangerous adversary who sometimes ate humans. Because nosepins, earrings, and labrets were significant visual symbols tied to some of the most sacred realms of cultural experience, it is possible they were perceived as having medicinal values as well. The Aleut believed that a manipulatable power resided in the body that persisted in the dead through mummification. In life, this power was regulated at crucial periods, mainly through joint-binding with sinew cords. Joint-binding was practiced when a young girl had reached her menses or when a husband or wife died. Of course, the Aleut also dismembered enemies and dangerous persons at their joints as a way of protecting the living from the evil dead. The practice even extended to honoured birds, such as the hawk and owl. It is likely, then, since the Aleut also practiced forms of medicine similar to Chinese acupuncture, that they had some conception of the yin/yang cosmology and attempted to regulate "good" and "bad" energies through the plugging of orifices. Joints and body openings were the "highways" which evil entities traveled to penetrate the human body and harm it, since in many circumpolar cultures these areas were considered to be the seats of the soul(s). On St. Lawrence Island, among other places in the Arctic, tattoo was utilized to close down these passageways. To this end, it would not be surprising if the Aleut had a similar concept in regards to body piercing. Grant Keddie stated that "the labret may demonstrate one's spiritual mastery over bodily entrances from which spirits enter and exit and therefore by analogy one's power over the forces of nature." The Universal BodyAleut adornment not only satisfied the need for personal expression, the social need for display, celebration, and accomplishment; it worked as a vehicle that carried the lineage into the future. But it also embodied religious beliefs about the relationship between humans, animals, and the deities that controlled human destiny and the surrounding world. Noserings, labrets, and tattoos were natural symbols simultaneously linking nature, society, and culture into one aspect. Body piercing justified human existence by not only influencing the supernatural and the dead, but by influencing the wishes and actions of other living individuals in the community itself. Thus, the Aleut body should not only be understood as a vastly complex and natural machine, but also as a body-landscape that mapped particular features of the Aleut ritual universe on the human skin. LiteratureBlack, L.T. 1991. "The Hunter's Dress as Metaphor of Power." Proceedings of the 5th International Abashiri Symposium: Hunting Rituals of Northern Peoples: 63-67. Cook, J. & King, J. 1784. A Voyage to the Pacific Ocean Undertaken, by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere. Performed Under the Direction of Captains Cook, Clarke, and Gore, in His Majesty's Ships the Resolutions and Discovery; in the Years 1776, 1777, 1778, 1779, and 1780. 3 vols. London: G. Nicol and T. Cadell. Coxe, W. 1803. Account of the Russian Discoveries Between Asia and America to Which Are Added, the Conquest of Siberia and the History of the Transactions and Commerce Between Russia and China. 4th enl. ed. London: Cadell and Davies. Davydov, G.I. 1810-12. Dvukratnoe puteshestvie v Ameriku morskikh ofitserov Khvostova I Davydova, pisannoe sim posliednim [A Double Voyage to America by the Naval Officers Khvostov and Davydov, Written by the Latter]. St. Petersburg: Morshaia Tipografiia. Hrdlicka, A. 1945. The Aleutian and Commander Islands and Their Inhabitants. Philadelphia: The Wistar Institute of Anatomy and Biology. Keddie, G. 1989. "Symbolism and Context: The World History of the Labret and Cultural Diffusion on the Pacific Rim." Unpublished paper presented at the Circum-Pacific Prehistory Conference, Seattle. Krutak, L. 1999. "Im Zeichen des Wals" Tätowier Magazin 39: 52-56. Mai. Langsdorff, G.H. von. 1813-14. Voyages and Travels in Various Parts of the World During the Years 1803, 1804, 1805, 1806, and 1807. 2 vols. London: H. Colburn. Lisiansky, U. 1814. A Voyage Round the World in the Years 1803, 4, 5, & 6: Performed by Order of His Imperial Majesty Alexander the First, Emperor of Russia, in the Ship Neva. London: Printed for J. Booth. Ludvico L.R. & Kurland, J.A. 1995. "Symbolic of Not-So-Symbolic Wounds: The Behavioral Ecology of Human Scarification." Ethology and Sociobiology 16: 155-172. Sarychev, G. A. 1806-07. Account of a Voyage of Discovery to the North-east of Siberia, the Frozen Ocean, and the North-east Sea. 2 vols. London: Printed for R. Phillips by J.G. Barnard. Singh, D. & Bronstad, P.M. 1997. "Sex Differences in the Anatomical Locations of Human Body Scarification and Tattooing as a Function of Pathogen Prevalence." Evolution and Human Behavior 18: 403-416. |
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