Gilding the Lily
by Vince Hemingson
Like good scotch, you'd think most
of us would prefer our breasts straight up. It would seem self-evident, at
least to the vast majority of men, that breasts in and of themselves are
good things. And as good things go, you would be justified in asking
yourself, how on earth could you improve on an already good thing like the
breast?
Some might even argue that after
several million years of evolution and the refinement of natural
selection, that the female breast has come very near a state of
perfection. And in terms of size and shape it would seem that there is an
abundance of choice to suit nearly every taste. Generous or petite, perky
or pendulous, soft or firm, you would think that there would be a breast
to satisfy every penchant, sate every appetite. But you would be wrong.
Being human it seems antithetical
to our nature to leave well enough alone. Part of the human condition it
would seem, is a proclivity to tinker. Even with perfection. We just can't
seem to stop ourselves from wanting to gild the lily. Oh to be sure, with
the advent of modern science and technology and silicon, industrial giants
like Dow-Corning and Dupont have tried to entice us since the sixties that
'Better Living Through Chemistry" can be extended to the human
breast. But breast augmentation is a relative newcomer to an age old human
predilection to improve upon that pinnacle of perfection, the female
breast. And bigger is not always better.
Their
is ample anthropological and archaeological evidence to show that women
have been altering the appearance of their breasts in order to enhance
their attractiveness since the dawn of time. I am speaking primarily of
tattooing, but also of body-painting and piercing. This phenomenon is more
widespread than isolated and cuts across many different cultures around
the world. Mummies of ancient Egyptian courtesans show that their breasts
and bellies were tattooed. Berber women in North Africa still tattoo their
breasts with beauty marks to this day. Tattooing of the breasts has been
practised by the women of the hill tribes of the Philippines, the Maoris
of New Zealand, many of the Polynesians of the South Pacific, and many of
the native peoples of North America. It is an extraordinarily common
practice.
In modern Western society since
the mid-18th century there has even been a significant percentage of the
women of the population who have been tattooed and contrary to popular
myth, not all of them have been prostitutes or women of easy virtue. When
Captain Cook and his crew returned from their voyages to Polynesian, the
salons of London and Paris and the other capitals of Europe were abuzz
with tales of tattooed savages. Many of Cook's men, and even his
Officer's, had got tattooed. This craze even extended to member of the
upper classes and it was not uncommon for members of the social elite in
England to gather after dinner in the great country houses and partially
disrobe in order to show off their tattoos. Winston Churchill's mother,
Lady Randolph, or Jenny as she was called by close friends, is known not
only to have been tattooed but to have had her nipples pierced.
If, as many of us would believe,
breasts approach perfection, why would so many cultures advocate and
encourage their alteration, some might even say mutilation? Like most
things in life there is probably no one answer but a number of theories
have been put forward. Tattooing in many cultures is a ritual closely tied
to the rite of passage from adolescence to adulthood. In both men and
women tattooing demonstrated to the rest of the community that the
individual tattooed was now an adult, ready to take on an adult role and
assume adult responsibilities. The tattooing was a rite that was painful
and bloody, a clear demarcation line between childhood and adulthood. For
men it meant they were now warriors, expected to protect the community
with their lives if necessary. For women it meant they were now sexually
mature and ready to bear children.
So why was it necessary to tattoo
the breast? Clearly we associate the breast with fertility. The breast is
the giver of sustenance, the source of nourishment without which none of
us can survive. The breast is life. The breasts are also a powerful sexual
signal, a form of mimicry, fleshy lobes evolved from when we first reared
ourselves up on two hind legs in the ancient veldt, cleavage destined to
remind us in our subconscious of the buttocks we no longer gazed upon in
mating as instead we looked deep into each others eyes. Breasts may be
life, but breasts are also sex. The breast is such a potent totem in our
lives that it is only natural that we would mark them in powerful
declarations that define who we are within our own cultures.
So a woman who tattoos her breast
is saying not only that she is sexually mature, but also that she is a
sexual creature. The tattooed breast, the decorated breast, is a lure. It
says look at me. In a world where breasts were once uncovered and
commonplace, the breast with the tattoo served to remind the male of the
species to look twice. As if we needed prompting. Even today, particularly
in the West where a woman's breast is seen as a sexual flag, and hence is
kept mostly covered, the idea of a tattooed breast is seen by many men as
being particularly alluring.
Women who have tattoos will tell
you many stories of their effect on the opposite sex. Trish, a strikingly
attractive business professional in her mid 20's, says men are nearly
uniform in their reactions upon learning she has a tattoo. "They all
look at me to see if it's visible," she says laughing," and then
they almost always ask me, 'Where is it?'. As if! Or they'll look at you
coyly and ask, 'Can I see it?'. And I usually tell them, 'Only if you're
lucky!' Trish says she got her tattoos because they had an important
symbolic value to her but she doesn't discount the fact that they make her
feel sexy as well. The tattoo on her breast is strategically placed so
that she can keep it hidden if she so desires but should she want she can
also have it peek out at the world. "There's no question that if a
man sees part of the tattoo," says Trish with a wink, "that he
wants to see the rest. It's a very powerful feeling." And no doubt
one of the reasons she got her tattoo in the place where she did.
So while the breast itself is a
powerful symbol and an extraordinary sexual signal, the tattooed or
pierced breast may be even more so. Depending upon your view then, a
decorated breast may be a case of gilding the lily, or icing the cake.
If you want more information
about tattooing, past or present, breasts or otherwise, please check out
the rest of The Vanishing
Tattoo
Vince Hemingson -- The Vanishing
Tattoo
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